Television in the Family Circle Lynn Spigel Summary

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Lynn Spigel could have written a book on the powers behind boob tube – the networks, advertisers, regime regulators, producers, stars, or programs – only instead chose to look at what happened between the moment people like the Krichinskys brought home a boob tube and began to negotiate its place in the domestic environment and broader culture. This process of adaptation of a strange new media is a particularly interesting result for analysis, and information technology seems appropriate for Spigel to specifically examine the portrayal of idiot box, both in articles and advertisements, in women's dwelling house magazines. These periodicals not just helped women in item understand how to integrate and regulate the telly in the domestic sphere, but were part of what Spigel calls a "dialogical human relationship," one in which widespread discussions of television receiver every bit a medium ultimately shaped the last cultural form and role of television. Moreover, still, Spigel demonstrates that idiot box itself helped shape the Cold War nuclear family during a time which, as illustrated by Elaine Tyler May, Americans turned to the nuclear family for a sense of stability and control over a world seemingly teetering on the edge of atomic state of war. Television certainly offers refuge, but interestingly, it seems to further a process of cultural homogenization while simultaneously walling off the family from the balance of order. Spiegl besides examines the restructuring of domestic space around these new electronic hearths, noting how changes in living room article of furniture and even domestic architecture serve as indicators of the extent of adaptation and homogenization.
In Avalon, after the Krichinsky family negotiates the place of the television in their ain suburban habitation, Jules and his cousin, Izzy, open a small appliance store which begins selling idiot box sets to other families in Baltimore. Soon they can't keep enough sets in stock, and presently thereafter they open a large apparatus store in an enormous old Baltimore waterfront warehouse, complete with a whole floor of television sets. Having come up to understand the role of television set within their own homes, the Krichinsky cousins are at present exporting sets into the homes of their neighbors.
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Spigel's volume is all about the importance of television in postwar American order. She makes several arguments for the derogation of family unit life as a outcome of its introduction into what she refers to as the 'family unit sphere,' simply she besides admits that TV made life easier for most families for things like news and national events.
Spigel'due south main argument is that television, in conjunction with national highway systems, an unprecedented postwar boom, a lar
A review for my graduate school lit class.Spigel's book is all about the importance of television in postwar American society. She makes several arguments for the derogation of family life every bit a result of its introduction into what she refers to equally the 'family sphere,' but she besides admits that Idiot box fabricated life easier for most families for things similar news and national events.
Spigel's primary statement is that television receiver, in conjunction with national highway systems, an unprecedented postwar nail, a big number of children and opportunities afforded by the Truman Doctrine spawned American suburbanization and all of the glorious descendants we bask today. By putting information inside of homes, families were less probable to socialize outside and we less dependent upon word of rima oris.
My favorite point Lynn makes is her notion that television replaced pianos, a cornerstone of family bonding from the Victorian era through the depression. Television, according to her, replaced that cardinal entity and began to degrade babyhood interest in arts and music.
Her book isn't entirely negative, though. Spigel likewise argues that television led to enormous revenue gains and suburban job growth in areas typically dominated past agrarian lifestyles.
Our earth evolved from that one and, as we go on to rely on speedy sources of information, I fear we continue to walk the line of 50's children no longer interested in the beauty of music and sunshine.
Oh well, time for Family Guy.
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Second reading:
The only thing I'd really like to add to my existing review is about the epilogue. I read up until this section without thinking about when Spigel was researching and writi
Second reading:
The only matter I'd actually like to add to my existing review is nigh the epilogue. I read up until this department without thinking about when Spigel was researching and writing the book. It becomes apparent when she says "the new machine VCR"---the source is cited 1989. The year I was born. 26 years agone. Luckily, her arguments still hold true. Though the virtual reality mention during her epilogue fabricated me express joy. It sounded similar MMORPGs or internet communities in general.

The analysis of the actual programming is...ok. Seeing how it is xx years since the volume came out, things have changed and much of her thoughts on early television receiver were dated even in 1992. Fifty-fifty so, I tin never get plenty of the crisis of manhood stuff.
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