Steve Winwood Back in the High Life Again Wiki
Stephen Lawrence Winwood (born 12 May 1948) is an English musician and songwriter whose genres include blueish-eyed soul, rhythm and blues, blues rock and pop stone. Though primarily a keyboard player and vocalist prominent for his distinctive, soulful high tenor vocalisation, Winwood plays other instruments proficiently, including drums, mandolin, guitars, bass and saxophone.
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Birth name | Stephen Lawrence Winwood |
Born | (1948-05-12) 12 May 1948 Handsworth, Birmingham, England |
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Years active | 1961–present |
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Website | stevewinwood |
Winwood was a key member of several major acts of the 1960s and 1970s, including the Spencer Davis Group, Traffic and Blind Faith. Outset in the 1980s, his solo career took off and he had a number of striking singles, including "While Y'all See a Adventure" (1980) from the album Arc of a Diver and "Valerie" (1982) from Talking Back to the Night ("Valerie" became a hit when it was re-released with a remix from Winwood's 1987 compilation anthology Chronicles). His 1986 album Back in the High Life marked his career zenith, with hit singles including "Dorsum in the High Life Again", "The Finer Things" and the US Billboard Hot 100 number 1 hitting "Higher Love". He establish the top of the Hot 100 once more with "Roll With It" (1988) from the album of the aforementioned name, with "Holding On" also charting highly the same year. While his striking singles ceased at the end of the 1980s, he connected to release new albums upwardly to 2008, when 9 Lives, his latest album, was released.
Winwood was inducted into the Stone and Roll Hall of Fame as a member of Traffic in 2004.[1] In 2005, Winwood was honoured as a BMI Icon at the annual BMI London Awards for his "enduring influence on generations of music makers".[2] In 2008, Rolling Stone ranked Winwood No. 33 in its 100 Greatest Singers of All Time.[3] Winwood has won two Grammy Awards. He was nominated twice for a Brit Accolade for Best British Male Artist: 1988 and 1989.[4] [five] In 2011, he received the Ivor Novello Laurels from the British Academy of Songwriters, Composers and Authors for Outstanding Song Collection.[6]
Early on life Edit
Winwood was born on 12 May 1948[7] in Handsworth, Birmingham.[viii] His father Lawrence, a foundryman by merchandise, was a semi-professional musician, playing mainly the saxophone and clarinet. The 4-year-old began playing pianoforte while interested in swing and Dixieland jazz, and soon started playing drums and guitar. He was likewise a choirboy at St. John'due south Church of England, Perry Barr. The family unit moved from Handsworth to Kingstanding (Atlantic Road) Birmingham,[nine] where Winwood attended the Great Barr School, one of the kickoff comprehensive schools. He likewise attended the Birmingham and Midland Institute of Music to develop his skills as a pianist, only did not consummate his grade.[x]
At 8 years old, he get-go performed with his male parent and elder blood brother Muff in the Ron Atkinson Ring.[11] Muff later recalled that when Steve began playing regularly with them in licensed pubs and clubs, the piano had to be turned with its back to the audience to effort to hide him, because he was so apparently underage.[12]
Career Edit
Early years Edit
Winwood on organ with Spencer Davis Group (Amsterdam, 1966)
While nonetheless a pupil at Peachy Barr Schoolhouse, Winwood was a part of the Birmingham blues stone scene, playing the Hammond C-3 organ and guitar, backing blues and rock legends such as Muddy Waters, John Lee Hooker, Howlin' Wolf, B.B. King, Chuck Drupe, and Bo Diddley on their United Kingdom tours,[xiii] the custom at that time being for United states singers to travel solo and exist backed by pick-up bands. At this time, Winwood was living on Atlantic Road in Peachy Barr, close to the Birmingham music halls where he played. Winwood modelled his singing after Ray Charles.[9]
The Spencer Davis Group Edit
At age fourteen, Winwood (then known equally "Stevie" Winwood) joined the Spencer Davis Group[14] along with older brother Muff, who afterward had success as a tape producer, subsequently Davis saw them performing as the Muffy Forest Jazz Band at a Birmingham pub called the Gold Eagle.[15] The group made their debut at the Eagle and subsequently had a Monday-night residency in that location.[16] Winwood's distinctive loftier tenor singing voice and vocal mode drew comparisons to Ray Charles.[17]
In 1964, they signed their first recording contract with Island Records. Producer and founder Chris Blackwell later said of Winwood, "He was really the cornerstone of Island Records. He'southward a musical genius and because he was with Isle all the other talent really wanted to be with Island."[18] The group's first record, a unmarried, was released x days after Winwood's 16th altogether.[nineteen] The group had their start number 1 unmarried at the cease of 1965, with "Continue on Running";[xx] the coin from this success allowed Winwood to purchase his own Hammond organ.[9] Winwood co-wrote and recorded the chart-topping hits "Gimme Some Lovin'" and "I'thou a Human being" earlier leaving the Spencer Davis Group in 1967.[21]
Eric Clapton and Powerhouse Edit
Winwood joined forces with guitarist Eric Clapton as office of the one-off grouping Eric Clapton and the Powerhouse. Songs were recorded for the Elektra characterization, simply only three tracks made the 1966 compilation album, What's Shakin'.
Traffic, Bullheaded Religion, and Ginger Baker's Air Force Edit
Winwood met drummer Jim Capaldi, guitarist Dave Mason, and multi-instrumentalist Chris Woods when they jammed together at The Elbow Room, a guild in Aston, Birmingham.[22] After Winwood left the Spencer Davis Grouping in April 1967, the quartet formed Traffic.[23] Shortly thereafter, they rented a cottage near the rural hamlet of Aston Tirrold, Berkshire (now Oxfordshire), to write and rehearse new music.[22] This allowed them to escape the metropolis and develop their music.[24]
Early in Traffic'southward germination, Winwood and Capaldi formed a songwriting partnership, with Winwood writing music to friction match Capaldi's lyrics. This partnership was the source of virtually of Traffic's material, including popular songs such every bit "Paper Sun" and "The Low Spark of High-Heeled Boys", and outlived the band, producing several songs for Winwood and Capaldi's solo albums. Over the ring's history, Winwood performed the majority of their lead vocals, keyboard instruments, and guitars. He also oft played bass and percussion, up to and including the recording sessions for their 4th album.[25] While still in Traffic, Winwood was brought in past Jimi Hendrix to play organ for "Voodoo Chile" on the Electric Ladyland album.[26] [27]
Winwood formed the supergroup Blind Organized religion in 1969, with Eric Clapton, Ginger Bakery, and Ric Grech.[28] The band was short-lived, owing to Clapton's greater interest in Blind Organized religion's opening act Delaney & Bonnie & Friends; Clapton left the band at the tour's terminate. However, Baker, Winwood, and Grech stayed together to form Ginger Baker'southward Air Force. The line-up consisted of 3/iv of Blind Organized religion (without Clapton, who was replaced by Denny Laine), half of Traffic (Winwood and Chris Wood, minus Capaldi and Stonemason), plus musicians who interacted with Baker in his early days, including Phil Seamen, Harold McNair, John Blood, and Graham Bail.[29]
However, this project also turned out to be short-lived. Winwood shortly went into the studio to brainstorm piece of work on a new solo album, tentatively titled Mad Shadows. Notwithstanding, Winwood ended up calling in Forest and Capaldi to assistance with session work, which prompted Traffic'south comeback album John Barleycorn Must Die in 1970.[29]
In 1972, Winwood recorded the part of Helm Walker in the highly successful orchestral version of The Who's Tommy. He recorded a 1973 album with Remi Kabaka and Abdul Lasisi Amao, as Third World, Aiye-Keta. Subsequently, after the reggae grouping Third Globe had formed, the album was re-released and identified as being just past the ring members' names. In 1976, Winwood provided vocals and keyboards on Go, a concept album past Japanese composer Stomu Yamashita.[thirty] In 1976, Winwood also played guitar on the Fania All Stars' Fragile and Jumpy tape and performed as a guest with the band in their only UK advent, a sold-out concert at the Lyceum Theatre, London.[31] [32]
Solo career Edit
Weariness with the grind of touring and recording prompted Winwood to get out Traffic and retire to sessioning for some years.[33] Nether pressure from Isle Records, he resurfaced with his self-titled first solo anthology in 1977. This was followed by his 1980 hit Arc of a Diver (which included his first solo striking, "While You See a Gamble") and Talking Dorsum to the Dark in 1982.[ citation needed ]
Both albums were recorded at his home in Gloucestershire with Winwood playing all instruments. He continued to do sessions during this period, and in 1983, he co-produced and played on Jim Capaldi's top 40 hit "That's Dearest" and co-wrote the Will Powers top 20 hit "Kissing with Conviction".[ citation needed ]
In 1986, he moved to New York. There he enlisted the help of a coterie of stars to record Dorsum in the High Life in the United states of america, and the album was a striking. He topped the Billboard Hot 100 with "College Love," and earned two Grammy Awards: for Record of the Year and Best Male Popular Vocal Functioning.
Winwood embarked on an extensive tour of North America in support of the anthology.[34]
All these albums were released on Island Records. However, at the peak of his commercial success, Winwood moved to Virgin Records and released Roll with It and Refugees of the Heart. The anthology Roll with It and the title track hit No. 1 on the USA anthology and singles charts in the summer of 1988. Another album with Virgin, Far from Home, was officially credited to Traffic, but nearly all the instruments were played by Winwood. Despite lacking a meaning hit, information technology broke the top xl in both the Great britain and Usa.[35] [36]
His last Virgin album Junction Seven also broke the UK pinnacle 40.[37]
A new studio anthology, Nine Lives, was released 29 Apr 2008 by Wincraft Music through Columbia Records.[38] [39] The album opened at No. 12 on the Billboard 200 album chart,[40] his highest US debut always.
In 2008, he was awarded an honorary doctorate from the Berklee College of Music to add to his honorary degree from Aston University, Birmingham. On 28 March 2012 Winwood was 1 of Roger Daltrey's special guest stars for "An Evening with Roger Daltrey and Friends" gig, in aid of the Teenage Cancer Trust at the Royal Albert Hall.[41]
In 2013, Winwood toured North America with Rod Stewart as part of the "Live the Life" tour. In 2014, Winwood toured Due north America with Tom Petty & The Heartbreakers.[42]
In Jan 2020, a North American summer tour was announced with Steely Dan.[43]
On 17 February 2020, Winwood participated in "A Tribute to Ginger Bakery", which took identify at Eventim Apollo Hammersmith in London. Other participants were Ron Wood, Roger Waters, and Eric Clapton. The concert was held in award of Ginger Baker, his onetime ring member in Blind Religion, who had died the previous year.[44]
Group work Edit
In 1994, Capaldi and Winwood reunited Traffic for a new album, Far From Abode, and a bout, including a performance at Woodstock '94 Festival. That same year, Winwood appeared on the A Tribute To Curtis Mayfield CD, recording Mayfield'south "It's All Correct".[45]
In 1995, Winwood released "Reach for the Light" for the animated film Balto. In 1997, Winwood released a new album, Junction 7, toured the Us, and sang with Chaka Khan at the VH-one Honors.[46]
In 1998, Winwood joined Tito Puente, Arturo Sandoval, Ed Calle, and other musicians to grade the band "Latin Crossings" for a European tour, after which they split without making any recordings. Winwood also appeared in the picture Blues Brothers 2000, as a fellow member of the Louisiana Gator Boys, actualization on stage with Isaac Hayes, Eric Clapton, and KoKo Taylor at the battle of the bands contest.[47]
In 2003, Winwood released a new studio album, About Fourth dimension, on his new record label, Wincraft Music. In 2004, Eric Prydz sampled Winwood's 1982 song "Valerie" for the vocal "Call on Me". After hearing an early version, Winwood not only gave permission to use his song, he re-recorded the samples for Prydz to use. The remix spent five weeks at No. ane on the Britain singles chart.[48]
In 2005, his Soundstage Performances DVD was released, featuring the recent Almost Fourth dimension album, with solo hits including "Back in the High Life", and he likewise performed hits from his early on days with Traffic. That aforementioned year, he appeared on Grammy Award winner Ashley Cleveland's album Men and Angels Say, a mix of rock, dejection, and country arrangements of well-known hymns, including "I Need Thee Every Hour", which featured a vocal duet and organ operation. On her 2006 record Back to Basics, Christina Aguilera featured Winwood (using the pianoforte and organ instrumentation from the John Barleycorn Must Die track "Glad") on her song "Makes Me Wanna Pray".[49]
The Steve Winwood Band in 2009 on tour
In May 2007, Winwood performed in back up of the Countryside Alliance, an arrangement opposed to the Hunting Human activity 2004, in a concert at Highclere Castle, joining fellow rock artists Bryan Ferry, Eric Clapton, Steve Harley, and Kenney Jones.[50]
In July 2007, Winwood performed with Clapton in the latter's Crossroads Guitar Festival. Amongst the songs they played were "Presence of the Lord" and "Can't Observe My Manner Home" from their Bullheaded Faith days, with Winwood playing several guitar leads during a six-vocal set. The two continued their collaboration with 3 sold-out nights at Madison Foursquare Garden in New York Metropolis in February 2008.[51]
On 19 February 2008, Winwood and Clapton released a collaborative EP through iTunes titled Muddied City. Clapton and Winwood released a CD and DVD of their Madison Square Garden shows and and so toured together in the summertime of 2009.[52]
Personal life Edit
Between 1978 and 1986, Winwood was married to Nicole Weir (d. 2005), who had contributed background vocals to some of his early on solo work. The two married at Cheltenham Register Office.[53]
Winwood'due south primary residence is a 300-year-old manor business firm in the Cotswolds, England, where he also has a recording studio. Winwood also has a home in Nashville, Tennessee, with his wife, Eugenia Crafton, a Trenton, Tennessee, native whom he married in 1987. They take four children.[54] [55] [56] Both were patrons of the Cheltenham Festivals of music and literature between 2007 and 2015.
Winwood's eldest daughter, Mary Clare, in 2011 wedded businessman Ben Elliot, who later became the Co-Chairman of the Bourgeois Party.[57] The couple take two sons.[58] Winwood'due south daughter Lilly Winwood is a singer; she was featured with him performing a duet of his song "College Love" in a Hershey commercial.[59] She was the opening act and sang fill-in on multiple songs during her father's 2018 Greatest Hits Live bout.[60]
Discography Edit
Solo Edit
- 1977: Steve Winwood
- 1980: Arc of a Diver
- 1982: Talking Back to the Nighttime
- 1986: Back in the High Life
- 1988: Scroll with It
- 1990: Refugees of the Heart
- 1997: Junction Vii
- 2003: About Fourth dimension
- 2008: Nine Lives
- 2017: Greatest Hits Live
Spencer Davis Group Edit
- Their Get-go LP (1965)
- The 2d Anthology (1966)
- Autumn '66 (1966)
Traffic Edit
run into Traffic discography
Blind Faith Edit
- 1969: Blind Organized religion
Ginger Baker'south Air Force Edit
- 1970: Ginger Baker'due south Air Force
Third World Edit
- 1973: Aiye-Keta
Get Edit
- 1976: Go
- 1976: Go Live from Paris
Eric Clapton/Steve Winwood Edit
- 2009: Live from Madison Square Garden
Session work Edit
- The Jimi Hendrix Experience – Electric Ladyland, 1968
- Joe Cocker – "With a Niggling Assist from My Friends", 1968
- BB Male monarch – B.B. King in London, 1971
- McDonald and Giles – McDonald and Giles, 1971
- Jimi Hendrix – The Cry of Love, 1971
- Howlin' Wolf – The London Howlin' Wolf Sessions, 1971
- Shawn Phillips – Faces, 1972 – Organ on Parisien Plight II
- London Symphony Orchestra – Tommy – As Performed by the London Symphony Orchestra & Chamber Choir, 1972
- Jim Capaldi – Oh How We Danced, 1972
- Eddie Harris – Eastward.H. in the U.One thousand. (Atlantic), 1973 With Chris Squire, Alan White and Tony Kaye
- Lou Reed – Berlin, 1973
- John Martyn – Inside Out, 1973
- Jim Capaldi – Whale Meat Again, 1974
- Robert Palmer – Sneakin' Sally Through the Alley, 1974
- Vivian Stanshall – Men Opening Umbrellas Alee, 1974
- Jim Capaldi – Short Cut Draw Claret, 1975
- Jade Warrior – Waves, 1975
- Toots & the Maytals – Reggae Got Soul, 1976
- Sandy Denny – Rendezvous, 1977
- John Martyn – One World, 1977
- Pierre Moerlen's Gong – Downwind, 1978
- Vivian Stanshall – Sir Henry at Rawlinson Cease, 1978
- Jim Capaldi – Daughter of the Night, 1978
- George Harrison – George Harrison, 1979
- Marianne Faithfull – Broken English language, 1979
- Jim Capaldi – The Sweet Smell of... Success, 1980
- Jim Capaldi – Let the Thunder Cry, 1981
- Marianne Faithfull – Unsafe Acquaintances, 1981
- Jim Capaldi – Vehement Heart, 1983
- David Gilmour – Almost Face, 1984[61]
- Christine McVie – Christine McVie, 1984
- Billy Joel – The Bridge, 1986
- Dave Bricklayer – Ii Hearts, 1987
- Talk Talk – The Colour of Bound, 1986
- Jim Capaldi – Some Come Running, 1988
- Jimmy Buffett – "My Barracuda", 1988
- Phil Collins – ...But Seriously, 1989
- Soulsister – Heat, 1990
- Davy Spillane – A Place Among The Stones, 1994
- Paul Weller – Stanley Road, 1995
- Kathy Troccoli – Corner of Eden, 1998
- Eric Clapton – Dorsum Home, 2005
- Eric Clapton – Clapton, 2010
- Slash – Hey Joe Rock N' Roll Hall of Fame, 2010
- Miranda Lambert – Four the Tape, 2011
- Eric Clapton – Old Sock, 2013
- Gov't Mule – Shout!, 2013
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Steve Winwood exploded onto the London music scene as a teenager with his powerful, soulful tenor—notably on "Gimme Some Lovin'" and "I'm a Human being" with the Spencer Davis Group.
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(Winwood exploded onto the London music scene as a teenager with his powerful, soulful tenor). "I thought he had the greatest voice," said Billy Joel, "this skinny trivial English kid singing similar Ray Charles."
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External links Edit
- Official website
- Albums that Winwood guested on and/or produced
- Steve Winwood & Eric Clapton [email protected] Bucharest (review)
- Steve Winwood at AllMusic
- Steve Winwood at IMDb
Source: https://en.wikidark.org/wiki/Steve_Winwood
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